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Amp Wall Monu Ment Confro Ntation
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16 S., 31,5x31,5 cm, Auflage: 300, keine weiteren Angaben vorhanden
2 Schallplatten, Klappeinband, Broschüre, Drahtheftung
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AMP WALL MONUMENT CONFRONTATION recontextualizes the Otto-von-Bismarck monument at the Deutsches Museum (Boschbrücke, Munich) using sound and performance. To call attention to the imperialistic, nationalistic, and colonial contexts, a sculpture and counter monument consisting of 21 guitar amplifiers has been installed for one day in front of the monument. Seven electric guitars were connected to the sound system. An ambient drone composition was performed on them with seven guitarists for four hours.
AMP WALL MONUMENT rekontextualisiert das Otto-von-Bismarck-Denkmal im Deutschen Museum (Boschbrücke, München) mittels Sound und Performance. Um auf die imperialistischen, nationalistischen und kolonialen Kontexte aufmerksam zu machen, wurde für einen Tag ein Skulptur- und Gegenmonument aus 21 Gitarrenverstärkern vor dem Denkmal installiert. Sieben E-Gitarren wurden an das Soundsystem angeschlossen. Auf ihnen wurde vier Stunden lang mit sieben Gitarristen eine Ambient-Drone-Komposition gespielt.
Text von der Webseite, Übersetzt mit DeepL
In der beiliegenden Broschüre findet sich die zur Performance zugehörige Partitur und ein Text von Damian Lentini
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14,8x10,6 cm, keine weiteren Angaben vorhanden
Drahtheftung, Programmheft
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Zur Veranstaltung 08.09.-09.10.2022 in München
VARIOUS OTHERS is the international format of the Munich art scene. Its most ambitious players—galleries, artist-run spaces, and institutions—invite you to get to know the city’s most important art venues in all their diversity. In collaboration with international partners, VARIOUS OTHERS offers artists, collectors, curators, gallery owners, and art enthusiasts from all over the world contemporary art of the highest quality and relevance.
With its splendid kick-off during the second weekend of September, VARIOUS OTHERS heralds the start of the fall art season and is a fixed event in the international art calendar. With its up-to-date, varied, and high-quality program of exhibitions and events, VARIOUS OTHERS promotes the visibility of Munich as a vibrant art city.
Through our partnership concept—galleries and artist-run spaces invite partners to jointly realize exhibitions—we strengthen international exchange and collaboration and share those values with our guests and partners. During four rich weeks, we invite our guests and friends to experience great sites of contemporary art in Munich and get to know the artists who work here—and thus discover new things. ...
Text von der Webseite
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Prolog 05 - Heft für Zeichnung und Text - Arbeit - Sammeltüte
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29,7x21 cm, Auflage: 5, numeriert, 5 Teile. ISBN/ISSN 18674917
Sammeltüte aus transparentem Plastik mit Heft (Drahtheftung, Titel zweifarbig), Einladungskarte, Flyer, gestempeltem Zettel mit Nummerierung, gefaltetem Plakat.
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Auflage Zeitschrift 450 Ex., 40 Seiten. Einladungskarte zur Ausstellung in der Druckertankstelle Prenzlauerberg und im KopfKunst Kreuzberg, 21.11.-06.12.2009.
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Malbuch für Flüchtlingskinder
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[48] S., 29,7x20,8 cm, Auflage: 1.400, keine weiteren Angaben vorhanden
Malbuch
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Die Idee kam Jim, als er vor ein paar Wochen in einem Flüchtlingsheim mit Kindern malte. Insgesamt 30 Künstler konnte er dazu bewegen ihm umgehend ihre schönsten kinderkompatiblen Motive zu schicken.
1200 Exemplare des gerade fertig gewordenen Ausmalbuchs gehen direkt an KREUZBERG HILFT. Die Initative verteilt die Hefte zusammen mit Filzstiften an 60 Flüchtlingsheime im Großraum Berlin. 200 Exemplare zum freien Verkauf.
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60 S., 21,5x14 cm, keine weiteren Angaben vorhanden
Drahtheftung, farbig bedruckt
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Die PublicAccess Zines enthalten neben einem kurzen Essay 43 Projekte aus dem Bereich der öffentlichen Medien, die mit den PublicAccess-Tools erstellt wurden. Jedes Werk in der Broschüre wurde ausgewählt, um die Vielfalt der Techniken und Botschaften zu zeigen, die PublicAccess-Teilnehmer*innen im Laufe der Jahre eingesetzt haben. Von zutiefst politischen Inhalten bis hin zu einfacher Farbgebung und Design; mit jeder Intervention schaffen und bekräftigen die PublicAccess-Teilnehmer ihr Recht, einen demokratischen Bürgermedienraum zu schaffen.
Text von der Webseite, übersetzt mithilfe von DeepL.
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Various Fires and Four Running Boys
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48 S., 17,8x14 cm, Auflage: 500, 2 Stück. ISBN/ISSN 978-3-037461426
Umschlag aus Melanin, Fadenheftung
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Mit Various Fires legt Thomas Galler eine Künstlerpublikation mit einer Auswahl von 21 Abbildungen aus seiner Sammlung vor, die Feuer rund um den Erdball zeigen. Sowohl Titel wie auch Format und Gestaltung des Bändchens beziehen sich auf das legendäre Büchlein Various Small Fires von Ed Rucha aus dem Jahre 1964.
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Various Small Books - Referencing Various Small Books by Ed Ruscha
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288 S., 23,6x15,8 cm, ISBN/ISSN 9780262018777
Hardcover Leinen
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In the 1960s and 1970s, the artist Ed Ruscha created a series of small photo-conceptual artist’s books, among them Twentysix Gas Stations, Various Small Fires, Every Building on the Sunset Strip, Thirtyfour Parking Lots, Real Estate Opportunities, and A Few Palm Trees. Featuring mundane subjects photographed prosaically, with idiosyncratically deadpan titles, these “small books” were sought after, collected, and loved by Ruscha’s fans and fellow artists. Over the past thirty years, close to 100 other small books that appropriated or paid homage to Ruscha’s have appeared throughout the world. This book collects ninety-one of these projects, showcasing the cover and sample layouts from each along with a description of the work. It also includes selections from Ruscha’s books and an appendix listing all known Ruscha book tributes.
Text von der Webseite
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68 S., 14,8x10,6 cm, keine weiteren Angaben vorhanden
Programmheft
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Zur Veranstaltung 12.09.-13.10.2019 in München
VARIOUS OTHERS initiates cooperative and international art projects in galleries, off spaces and museums in Munich. While serving as a content-driven forum for contemporary art that takes place each year in September, our mission is to intensify exchange and dialogue between the art scene in Munich and international partners, guests and media.
VARIOUS OTHERS is an event hosted by the association VFAMK e.V. We thank all of the supporting members of the association who make this project possible as well as the active members for their unflagging efforts and dedication.
Text von der Webseite
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Various Forms Not Defined As Communication
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118 S., 25x18,5 cm, ISBN/ISSN 9783945328033
Broschur, Softcover
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Die Publikation erscheint im Rahmen der Ausstellung "Timing Faced With Beat" in der Galerie Gedok München vom 08.10.-30.10.2015.
Die Installation "Various Forms Not Defined As Communication" vereint verschiedene Überlegungen zur nonverbalen Kommunikation auf einem wabenförmigen Teppich.
Eine Hand ahmt in langsamen Gesten die Positionen einer Yukka-Palme nach. Auf einem blauen Bildschirm zeichnen zwei isolierte Schachfiguren die Züge des IBM-Computers Deep Blue im Spiel gegen den Schachweltmeister Garri Kasparov nach, während zwei Frauen, die Rücken an Rücken sitzen, versuchen, sich gegenseitig zum Lachen zu bringen.
Text von der Webseite, übersetzt mithilfe von DeepL.
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92 S., 28x21 cm, Auflage: 200, numeriert, keine weiteren Angaben vorhanden
Drahtheftung
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A boutique photozine where every issue is a photobook.
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Fifth assembling - a collection of otherwise unpublishable manuscripts
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[284] S., 27,7x21,5 cm, Auflage: 1.000, keine weiteren Angaben vorhanden
Zweifach geklammert, diverse Papiere, Materialien und Drucktechniken
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Zusammengetragenes Material, für das sich sonst kein Verleger finden würde, eine kollaborative Anthologie des Unpublizierten und Unpublizierbaren. Die Teilnehmer wurden gebeten 100 Kopien eines Blattes ihrer Arbeit an den Verlag zu schicken. Die Anordnung im Buch ist alphabetisch.
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Mehr Platz zum leben. Für Alle! - Kunstforum AMP
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104 S., 21x15 cm, Auflage: 1.000, 2 Stück. ISBN/ISSN 978-3-946803-836
Spiralbindung, Digitaldruck, Wendebuch
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Kreative Anleitungen für “ Mehr Platz zum Leben für Alle“. Das Buch dokumentiert über 24 Jahre Bürgerengagement. Ein Teil der Dokumentation ist den Künstler*innen des seit 2007 bestehenden Kunstforum HMP am Hans-Mielich-Platz gewidmet. Der andere Teil spiegelt die Veränderungen im Viertel durch das Engagement der Bürgerinitiative Mehr Platz zum Leben wider. Es wird aufgezeigt, was Bürgerengagement bewegen und wie kreativer Einsatz die Stadt positiv verändern kann.
Das Buch soll zu Bürgerengagement motivieren und aufzeigen, welche Möglichkeiten jede/r hat, um sich für sein Umfeld einzusetzen und Veränderungen zu erreichen und Ermutigung und Anreiz für Engagement vor Ort zu sein.
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Gitarren gegen Bismarck - Der Künstler Kalas Liebfried stellt sich musikalisch gegen den Imperialismus des Reichskanzlers
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keine weiteren Angaben vorhanden
Ausriss aus der Süddeutschen Zeitung vom 12.12.2022, R10
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... Im Gegensatz zum Video hat die echte Statue die Konfrontation mit den Gitarrenverstärkern überlebt. Auch die Musik zu Liebfrieds Aktion ist geblieben, denn unter dem gleichnamigen Titel kann man sich das Ganze nun auf Schallplatte anhören. Im November ist „Amp Wall Monument Confrontation“ als Kooperation von SVS Records und Para erschienen. Para ist eine „Nicht-Label-Organisation für Klang“, die Liebfried mit Anja Lekavski und Jakob Braito betreibt und die an „anderen Organismen“ wie Labels, Radiostationen oder Zeitschriften andockt. ...
Text aus dem Artikel
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_957 Independent Art Magazine #00Y Moosstrasse / Maus-Strasse
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[16] S., 29,5x21 cm, ISBN/ISSN 2296-3057
Poster auf A4 gefaltet, Digitaldruck 4c
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Wir hatten die Idee, einerseits den Ort und das Quartier an der Moosstrasse zu thematisieren und andererseits unsere eigenen (Bild-)Welten in diese Plakatarbeit einzubringen. Zuerst haben wir die Umgebung der Moosstrasse und des Neustadt-Quartiers fotografisch auf Panoramabildern einzufangen. Diese fotografischen Aufnahmen dienten uns als Hintergrund unsere eigenen künstlerisch-persönlichen, fantastischen, peinlichen, sehnsüchtigen, nostalgischen usw. Bildwelten einzufügen. Patrick Blank, dessen Hauptmedium bisher die Fotografie gewesen ist, hält seine Durchfahrt mit seinem Oldtimer-Töffli als Performance parallel auf den Panoramafotografien fest. Samantha Aquilino interveniert zeichnerisch-figürlich mit der „erwachsen gewordenen“ Cartoon-Figur, angelehnt an „Diddl“, einer Springmaus, in die fotografischen Stadtlandschaften.
Text von Website übernommen.
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Zines von Booklyn - Konvolut
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30 Teile. keine weiteren Angaben vorhanden
verschiedene Formate, Techniken und Formen
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30 von Künstlern gespendete Zines für das Archiv
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34 S., 29,7x21 cm, keine weiteren Angaben vorhanden
Verkaufsprospekt, Farbloserkopien nach PDF, Blätter lose ineinander gelegt
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Zur Ausstellung Guy Schraenen Editeur 13 Mars 2014.
Guy Schraenen is the founder of the publishing house Guy Schraenen éditeur and the Archive for Small Press & Communication (A.S.P.C.) and an international known curator, publisher and advisor. Furthermore he is the author of essays and various publications. His many activities are mainly focused on Artists' publications of the various international Avant-garde and independent art movements from the late 1950s until the 1980s. mehr auf der Webseite der Buchhandlung
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ruine 05 - The Phone is the Keyhole - The Penpot, the Heart.
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[8] S., 17x29,7 cm, 2 Teile. keine weiteren Angaben vorhanden
2 handgefaltete Bögen, 65 x 118 cm, A4-Blatt mit eingeprägtem Signet als Umschlag, Spanngummi, Vorderseite Fotos Schreibtisch/Computer, Rückseite Collage aus Texten, Zeichnungen
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Herausgegeben von Ruine München, die AutorInnen gehören dem Komitee der Transmission Gallery Glasgow 2018 an.
Erschienen in der Publikations- und Ausstellungsreihe Ruine München, in Verbindung mit Galerie-Austausch various others. 14.09.18: ZINE Release, Königsplatz, München
On the occasion of Various Others we are glad to announce that Transmission Gallery Glasgow will do the next issue of Ruine München. Transmission Gallery has existed since 1983 and it is managed and programmed by a voluntary committee of six people, each of whom joins successively and may serve for a maximum of two years. For Ruine München the current commitee (Thulani Rachia, Adam Benmakhlouf, Myriam Mouflih, Alberta Whittle, Alaya Ang and Katherine Ka Yi Liu) developed a mapping of their space trying to include all their current changes, reflections and workflows using the principles of painterly abstraction as a means of institutional reflection and critique.
Text von der Webseite
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The Place of Independent Publications in the Arts Ecosystem
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29,7x21 cm, Auflage: Unikat, keine weiteren Angaben vorhanden
Inkjetausdruck
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Im Rahmen von various others 2023, Präsentation des Umbigo Magazins aus Lissabon und Gespräch, am 07.09.2023 ab 15 Uhr im AAP Archive Artist Publications mit Hubert Kretschmer vom AAP, Jonas Beuchert von der Edition Taube und Elsa Garcia, António Néu und José Pardal Pina vom Umbigo Magazin.
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WhiteWalls #13 - a magazine of writings by artists - Drawing in the 80s
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96 S., 21,7x14 cm, ISBN/ISSN 01909835
Broschur
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A Magazine of Writing by Artists.
Founded in 1978 in Chicago by artist Buzz Spector and writers Reagan and Roberta Upshaw, Whitewalls began as a publication for artists working with language. For the most part Whitewalls is a straight-up sampler of artists' experimental projects for the page: each issue contains from half a dozen to several dozen artists employing text, image, and other notations in various combinations. While Whitewalls featured an international cast of emerging and established artists, it also provided a showcase for the Chicago area's experimental art community, including artists such as Jeane Dunning, Joseph Nechvatal, and Christopher Wool. Text von der Website
Mit Texten u. a. von Richard Artschwager, Andrea Blum, Christo, Mike Kelly, Lawrence Weiner, Mark Staff Brandl, Rosemary Mayer, Paolo Colombo, Joel Hubaut
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24 S., 47x30 cm, Auflage: 1.000, ISBN/ISSN 9789953016917
Drahtheftung
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Each year, as tourist vacationers, tens of millions of humans yield to an extra conditioning: they follow the directives of a guide, the rhythm of a group, and are instructed cursorily in the doxa on various countries turned venues. Under the pretext of anticipating their needs, desires, and even their whims, they are dissuaded from any independent choice. In a sightseeing boat during a guided tour of Berlin, Gilbert Hage resisted—while fixed to his seat—by means of photography the concomitant insidious screening of Berlin. The result, Screening Berlin, is a number of moving encounters in the form of chance compositions of landscapes and people.
Text von der Webseite
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The philosophers have only interpreted the world in various ways - the point, however, is to change it. (Karl Marx)
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32x22 cm, Auflage: 20, numeriert, keine weiteren Angaben vorhanden
Einzelblätter, Risographie auf farbige Papiere in verschließbarer transparenter Hülle, zerschnittenes Plakat mit Schnittmarken
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78 S., 29,7x21 cm, keine weiteren Angaben vorhanden
Farbkopien nach PDF, lose ineinander gelegt, Dokumentation der Ausstellung
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This survey of experimental art and design magazines published since 2000 explores the various ways in which contemporary artists and designers utilize the magazine format as an experimental space for the presentation of artworks and text. Throughout the 20th century, international avant-garde activities in the visual arts and design were often codified first in the informal context of a magazine or journal. This exhibition, drawn from the holdings of the MoMA Library, follows the practice into the 21st century. The works on view represent a broad array of international titles within this genre, from community-building newspapers to image-only photography magazines to conceptual design projects. The contents illustrate a diverse range of image-making, editing, design, printing, and distribution practices. There are obvious connections to the past lineage of artists’ magazines and little architecture and design magazines of the 20th century, as well as a clear sense of the application of new techniques of image-editing and printing methods. Assembled together, these contemporary magazines provide a first-hand view into these practices and represents the MoMA Library’s sustained effort to document and collect this medium.
Text von der Webseite
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Various publications and reprints related to projects by GUY SCHRAENEN
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1 S., 29,7x21 cm, keine weiteren Angaben vorhanden
Farblaserkopien nach einer Liste aus dem Internet
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so-VIELE.de Heft 21 2013 - VARIOUS SMALL DICKS
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16 S., 14,5x10,5 cm, Auflage: 1.000, ISBN/ISSN 9783923205578
Drahtheftung. Eine Referenz an Ed Ruscha
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Mit Bildausschnitten von Pornoseiten aus dem Internet kombiniert mit Bildern von Michelangelo. Frauen machen sich über den kleinen Penis lustig und manchmal sieht es nur so aus. Verschiedene Sprecher beutzen die Geste mit Daumen und Zeigefinger um zu zeigen, dass etwas so klein ist, also ca. 5-8 cm.
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[40] S., 23x19 cm, Auflage: 100, numeriert, keine weiteren Angaben vorhanden
Drahtheftung, verschiedenfarbiges Papier, in transparenter Kunststoffhülle
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Boundaries is a short sequence of drawings, based on found/recycled imagery and formulated as visual accompaniments during the composition of various sound works by artist & electronic musician Nickolas Mohanna. Throughout the booklet, these abstract figures and graphic spaces diverge into new forms that reflect the movement, place and time of the sound material.
Text von der Verlagswebseite
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Artist Music Journals Vol. 1 No. 09 - Seripop
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[24] S., 26,5x26,5 cm, Auflage: 1.000, numeriert, keine weiteren Angaben vorhanden
Drahtheftung, Heft in Pappschuber mit Aufkleber
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Edition 09 in the ongoing Artist Music Journals series features the work of the Montreal based artists and musicians Chloe Lum and Yannick Desranleau, known as Seripop. Known for their original illustration and design work, as well as their longstanding tenure as founders and members of the musical outfit Aids Wolf, Seripop have a broad following around the globe. For their AMJ, Seripop compiled years of original gig poster work, the first collection of its kind for the studio, which has made thousands of prints over the years.
About Seripop: Yannick Desranleau and Chloe Lum are visual artists and musicians who started collaborating in 2002 under the nom de guerre Seripop. Based in Montreal, Seripop has earned international attention for its stylistically distinct, silkscreened street posters. In 2005, Lum and Desranleau began experimenting with sculptural print installations which merge notions of city politics and visual perception. The duo has been speaking and exhibiting their work at various art institutions including Baltic Centre for Contemporary Art in Gateshead, England, Peacock Visual Arts in Aberdeen, Scotland, and the University of North Texas, Denton, USA. In addition to Seripop, Lum and Desranleau play in AIDS Wolf, a noise-rock band and Hamborghinni, a drums and electronics project.
Text von der Webseite
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Anonymous Press No. 15766 - Various Small Dicks
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12 S., 20,3x13,4 cm, keine weiteren Angaben vorhanden
Drahtheftung, Schwarz-Weiß-Laserdrucke, Umschlag aus farbigem Papier
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Das Konzept:
1. Anonymous Press (Α,–Π,) is a self-sufficient publishing platform.
2. Every publication by Α,–Π, is a byproduct of an individual and a database, i.e. Google Image Search.
3. Human author defines the topic, the content and the form is generated from the most relevant images found online.
4. Each publication is added to a public library.
5. Every item in the library can be printed on-demand and is available to everyone for a small fee covering shipping and production costs.
6. Publications are sorted in a chronological order.
7. Α–Π does not own, nor is responsible for the content generated by its users.
Text von der Webseite
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Hubert Kretschmer / Various Small Dicks
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5 S., 29,7x21 cm, keine weiteren Angaben vorhanden
Farblaserkopien aus dem Blog "Artists' Books and Multiples" vom 12. November 2013
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über das original Heft und die Variante aus Anonymous Press
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[84] S., 21x14 cm, Auflage: 500, ISBN/ISSN 9780982055946
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Christopher Russell's small-novel, Budget Decadence, uses a non-event-based style of fiction to explore commodity as an aspect of Middle American psychology. The book looks back to the J.K. Huysmans novel, A Rebours, and unfolds the deep psychological malaise of the nuclear family based on the various characters' understanding of, and interaction with, the curated collection of common objects that comprise each character's identity.
Text von der Webseite
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32 S., 21x14,8 cm, Auflage: 300, keine weiteren Angaben vorhanden
Drahtheftung, kleinerformatiges Impressum auf andersfarbigem Papier vor eigentlichen Umschlag Drahtheftung,
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This booklet—with a graphic design that resembles a school notebook from the 50s—was created to accompany an exhibition at Larada by Adrien Missika, a young Parisian artist based in Geneva. In 2004, Missika set out on an original “grand tour” that skipped all the monuments and glorious ruins of Europe and took him instead through the peripheral neighborhoods of various Old World capitals, from Milan to Moscow. The result was Einfühlung (2008): a series of low-resolution, cell-phone photos of impressive Collectivist architecture, a legacy of the Modernist social utopias. Images of this work and others, including Grand Prix (2008), a video in which dromology meets archeology, and Daily Archeology (2010), serve as photographic references for the critical text by Patrick Gosatti.
Text von der Webseite
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Adult Comedy Action Drama
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240 S., 29,5x20 cm, ISBN/ISSN 1881616363
Hardcover Leineneinband mit Schutzumschlag, eingelegte Bestellkarte
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Book title is drawn from the various genres found in video stores. Many sources list Adult Comedy Action Drama as one of the best books by Richard Prince
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Der Pfeil Nr. 1 - Zeigefinger
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[74] S., 26x33,6 cm, Auflage: 100, ISBN/ISSN 978-3-945247006
., offener Rücken
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DER PFEIL conceives itself as a fictional space, which by means of a series of publications, spreads transportable works and positions. Each issue is devoted to the connotation of a term and accompanying questions as: to what extend are diversified agendas and significances triggered through one word, and how can they later be traced back? As a fragmented, ongoing dictionary, various artistic approaches are gathered in what we call "Edizin", with all the unique contributions released in an edition of 100 - in order to un-tighten the terms from their tasks.
Text von der Webseite
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Uma Conversa Infinita. Livros de artista, ephemera e documentos
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4 S., 21x14,8 cm, keine weiteren Angaben vorhanden
Faltblatt zur Ausstellung
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Temporary exhibition. 10 July 2014 - 01 Februar 2015
The exhibition An Infinite Conversation. Artists’ books, ephemera and documents was designed as an addendum to the permanent exhibition of Museu Coleção Berardo, and presents a selection of artists’ books, posters and other ephemera from the Teixeira de Freitas Collection. The exhibition illustrates the range of thought and process that surrounds art making and shows the various forms it can take, suggesting what is perhaps a more intimate view
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Cool Pictures, Cool Stuff
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120 S., 20.5x12.5 cm, keine weiteren Angaben vorhanden
Broschur
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The book consists of 116 images based on various perceptions of what people consider to be cool. Each picture is accompanied by the photographer’s original caption. The resulting collection of images is very revealing and often hilarious.
Text von der Website des Künstlers
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Materialien (E) Peripheriewanderung Winterthur
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[68] S., 20,5x15,5 cm, Auflage: 1.000, ISBN/ISSN 978-3-905999570
Broschur
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For almost twenty years Peter Piller has been making peripheral excursions, or Peripheriewanderungen (Periphery Walks) in various European cities. In Hamburg, the Ruhr region, Bonn, Graz, and Barcelona he has explored small sections of areas marking the outer borders of urban settlement in cities and regions of varying size. In carrying out these walks Peter Piller follows things that catch his eye as well as cues from his memory, ending his excursion once he feels unable to take in anything more.
Text von der Webseite
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Keep Going West Until You Can See The Sun Set In The East
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[8] S., 46,5x31,5 cm, Auflage: 1.000, keine weiteren Angaben vorhanden
Broschur, teils spiegelverkehrt
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A newspaper was distributed at selected points during the Kunst Fest in the city of Weimar. Both in newspaper stores and on the street by various performers.
It contained propositions for small interventions in public space in Weimar. These propositions function as a written proposal: in relation to Lawrence Weiner's “Declaration of Intent“ the interventions do not need to be executed but can be read as a manual and performed by anybody. Each format is equal. Every written intervention is formulated in a more or less abstract way opening the possibilities of interpretation for the viewer. Poetic connotation is intended.
Text von Website
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300 S., 23x16,7 cm, ISBN/ISSN 9788480264990
Klappbroschur,
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Ausstellungskatalog anlässlich der gleichnamigen Ausstellung im Museum Reina Sofia, Madrid vom 28.10.2014-09.02.2015.
This catalogue investigates the notion of “really useful knowledge” and its origins. In the 1820s and 1830s, working class organisations in the UK introduced this phrase to describe a body of knowledge that encompassed various “unpractical” disciplines such as politics, economics and philosophy, as opposed to the “useful knowledge” proclaimed by business owners who had previously begun to invest more heavily in their companies’ progress through financing workers’ education in “applicable” disciplines like engineering, physics, chemistry and mathematics. The publication presents texts and conversations that analyse these themes, including philosophy, art, politics and technology.
Mit Texten von u. a.: What, How & for Whom, Marina Garcés, Raqs Media Collective, Luis Camnitzer, Trevor Paglen, Jacob Appelbaum, Fred Moten & Stefano Harney und G.M.Tamás.
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her first meteorite - photographic collages
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6 S., 23,7x19 cm, keine weiteren Angaben vorhanden
Einzelblatt mehrfach gefaltet, doppelseitig bedruckt, handschriftlicher Gruß
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Found, sliced and assembled, the photographic collage establishes experimental and introspective forms through the combination of familiar and obscure images. The montages from the various artists each evoke a distinct entry into surreal worlds, bound together by connected and intertwined photographs. With found objects and images, the spontaneity of discovery and combination counters the intricacy of the details in the works.
Text von der Website
Teilnehmende Künstler/innen: Carolle Benitah, James Gallagher, Melinda Gibson, Ken Graves, Stéphanie Solinas, Annegret Soltau, and Grete Stern
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FAX HeART - International Fax Art Project
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[12] S., 21x14,8 cm, keine weiteren Angaben vorhanden
Blätter gefaltet, lose ineinander gelegt,
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Begleitheft zum Projekt. The idea to initiate the FAX HeART project had been conceived during the total blockade of Serbia by the whole world community, when even cultural relations with us, i.e. exchange of art works, exhibitions and publications, were bannend. Our desire had been to break through the blockade by telefax and make contact with as many artists from all over the world as possible. The effects and results of this campaign were splendid. As scheduled, on October 20, 1994, between 5 and 9 o'clock p.m. more than a hundred faxes arrived from various parts of the world.
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Animal of The State, Fiction through Reality
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218 S., 22x16,5 cm, Auflage: 1.000, 2 Stück. ISBN/ISSN 978-3-932934360
Klebebindung, Umschlag mit Prägung, eingelegte Kunstpostkarte
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The publication “Animal of The State, Fiction through Reality” reflects on the process of the Survival Kit’s three-year existence. Individually and collectively written texts by the participants intertwine with guest contributions by companions who have been involved in the experiment in various ways. This book considers itself to a lesser extent as documentation of this experiment’s history but rather as a medium of visualisation of the mutual learning process.
The educational and artistic research program Survival Kit was funded by the German Academic Exchange Service DAAD through the programme “Partnerships with Greek Institutions of Higher Education 2014 – 2016”.
Text von der Webseite
Design: Stefanie Hammann, Maria von Mier
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Mineshaft #20 - Adults Only
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56 S., 21,7x13,9 cm, Auflage: 1.350, keine weiteren Angaben vorhanden
Drahtheftung, Cover aus brauner Pappe mit Schwarz-Rotem Druck, Schwarz-Weiss Druck auf weißem Papier, im Center-Fold Schwarz-Weiss Druck auf blauem Papier
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keine weiteren Angaben vorhanden
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keine weiteren Angaben vorhanden
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keine weiteren Angaben vorhanden
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[232] S., 34x22,7 cm, Auflage: 2.000, ISBN/ISSN 978-1-910164983
Broschur, jede Seite randabfallend bebildert
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Nothing but Clouds were the words used by the research commission in Andrey Tarkovsky’s 1972 film Solaris to deny video evidence suggesting traces of alien life on the planet. Taking this disclaimer as its title, this meditative book by Kristina Jurotschkin brings together images from her photographic archive made in various places across Europe over numerous years. Jurotschkin’s alienating views of everyday spaces examine the fabric of our social reality and propose an archaeological survey of our future.
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[32] S., 28x21 cm, ISBN/ISSN 978-3-943514292
Drahtheftung, Schwarz-weiß Illustrationen
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The Coloring Book by Dr. Lakra is the first BOM DIA KINDER book, a new series of children books made by artists. Dr. Lakra is a Mexican artist living in Oaxaca, Mexico. The images compiled inside this coloring book come from various references, inspirations, as well as drafts for the tattoos that Dr. Lakra has made, or wishes he’d made over the years. This is an insight into the world of Dr. Lakra, where many of the interests present in his work collide. ancient mythologies, punk rock fanzines, classic tattoo designs, popular culture icons, Japanese monsters, animal illustrations etc.
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Another scale of architecture
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308 S., 18,6x12,7 cm, ISBN/ISSN 9784861522840
Broschur.
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Anlässlich der gleichnamigen Ausstellung im Toyota Municipal Museum of Art, 18.09.-26.12.2010.
In 2009, Junya Ishigami’s workshop design for the Kanagawa Institute of Technology won Japan’s top architecture award: the Architectural Institute of Japan Prize. This book offers more proof of Ishigami’s precocious talent. Plans, designs, photographs, models and writings from various projects illustrate Ishigami’s stated aim to “embody in architecture that which has never been embodied before.” An essay by historian Taro Igarashi assesses Ishigami’s importance and success, including his Golden Lion award at the 12th International Architecture Biennale.
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TRAX Reprint 2 - Notterossa/Rednight
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[1] S., 29,7x21 cm, keine weiteren Angaben vorhanden
Einzelblatt aus leichtem Karton
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This is the first in a series of reprint programme of the most representative titles from the TRAX catalogue, one for each letter of the name: T for Traxman, the comics series created for Frigidaire magazine by Massimo Giacon and Vittore Baroni. R for Rednight, a collective homage to the work of William S. Burroughs. A for Anthems, alternative national hymns for real and imaginary countries. X for Xtra, audio works composed at distance through a process of crossed interferences. Each reprint, accompanied with old and new texts, contemplates a digital remastering of the original works with the addition of remixes, remakes or new compositions created in concordance with the peculiar and distinctive "modular" approach of TRAX.
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104 S., 28x22,5 cm, ISBN/ISSN 9789491677144
Schweizer Bindung, verschiedenes Papier, Farb- und Schwarz-Weiß Fotografien
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Onomatopee 95. 11”x17” by Elisa van Joolen is an on-going project that examines and challenges the fashion industry’s prevailing value systems and proposes new methods of production. The project began in 2013 with a series of conversations with representatives of various fashion brands including G-Star, O’Neill, gsus sindustries, Rockwell by Parra, Converse, moniquevanheist, and Nike. These companies then contributed by donating clothing and footwear in the form of samples, archival pieces and stock. A selection of these, complemented with pieces of second-hand and no-brand clothing have undergone a process of cutting out and reconstructing to become 11”x17” Sweaters and Invert Footwear. 11”x17” creates a network. It unites different categories of clothing and different values within fashion. an eclectic mixture of mid-market, second-hand, and high-end items.
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The Bermuda Love-Triangle
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[48] S., 8,9x12,2 cm, 2 Stück. ISBN/ISSN 0930257065
Softcover, fadengeheftet, Offset-Druck
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The Bermuda Love-Triangle, from 1988, is Tom Grothus's most elaborate production. The printing is all offset-lithography on quality stock. The black, red, and yellow cover includes some spot varnish highlights. The 24 leaves inside are printed in blue and black ink, for 48 pages of content. Interspersed among the pen-and-ink drawings are several beautiful duotones of pencil and ball-point-pen drawings. Some of the images in this book are like those of a dream that haunts you with an elusive meaning. The common literary thread throughout is a list of various proposed freedoms, such as the "Freedom to Obey Puppets." These may fill in some of the gaps left in the U.S. Constitution by that nation's founding fathers. Editor's Note: Gripping, lovely, haunted, serene, and impeccably surreal, this book of gentle hallucinations defies categorization. You might call them cartoons, but they will make you laugh silently for weeks. This is one of the nicest books we have ever held.
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wordpharmacy - Adjectives - Contens: 238
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18x30 cm, ISBN/ISSN 978-3-943196054
Kartonbox 10x11,5x7,5 cm (HxLxB, auseinandergefaltet 18x30 cm, mit Beipackzettel A4 gefaltet auf 4x7 cm
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Wordpharmacy combines the structure of language with the healing principles of various medicaments. Like pills, language is something to be consumed by the body, and in turn it does not only affect our conceptions of things, but it also comes to designate our very corporal movability in the world. Consequently, words are not only something we consume, they are refractory entities that in turn define and consume us. Wordpharmacy can be seen as a poetical gesture endeavouring to let words work their magic from within the body itself. The Wordpharmacy is written and produced by the danish poet Morten Søndergaard. The Wordpharmacy has be shown in several cities like Paris and London and Berlin and Bangor and Tromsø and Voss. The Wordpharmacy is translated into English by Barbara Haveland and designed by Christian Ramsø and is now available in six languages.
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106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
Broschur
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Schwarz-Weiß-Drucke, Nr. 002 aus der Reihe 100for10.
Michael was born 1964 in Stuttgart. He currently works as illustrator in his own studio for various agencies and publishers. In his current never ending project since 2010, he presents each day a new illustration on his website.
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106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
Broschur
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Schwarz-Weiß-Drucke, Nr. 006 aus der Reihe !00for10
Grady gordon is originally from santa fe, nm. His art is DeepLy influenced by various mythologies from across the world. In each new series he finds a particular myth to re-appropriate into a new version, and of course creates the images solely in black and white. Grady utilizes the most crude mark-making instruments to bring about the characters that inhabit the invisible plane. He works entirely by removing thick black ink from a plexiglass surface. The monotype print is a study of impermanence. Unlike other forms of printmaking the monotype offers only one copy.The original image on the plate is then given back to the ether, back into the fabric.
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106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
Broschur
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Schwarz-Weiß-Drucke, Nr. 009 aus der Reihe 100for10.
André Rösler has worked as a freelance illustrator, designer and animation directer. He illustrated several picture books for small and large kids. His work was awarded with various design prices and was shown on exhibitions in Berlin, Paris, Zürich and Dakar. André Rösler is based in the beautiful south and teaches illustration at the university of applied sciences in würzburg.Konrad Bayer is an artist and illustrator living in Berlin.
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Pussies, Patterns and Portraits
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106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
Broschur
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Schwarz-Weiß-Drucke, Nr. 011 aus der Reihe 100for10.
David Leitner is a painter and illustrator based in Vienna. Over the last years he has worked with and for various brands and agencies, such as Jung von Matt, Absolut Vodka, Makava, Faux Fox etc. His work has been shown in group and solo shows all over Europe.
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106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
Broschur
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Schwarz-Weiß-Drucke, Nr. 022 aus der Reihe 100for10.
Living in Paris, Étienne Hervy is art director of Chaumont design graphique where he has in charge the programmation of the Festival and prefigures a permanent center related to graphic design. He is also freelance curator and writer, some other times teacher or workshop animator. In a way, he loves to be involved in various projects working together with graphic designers and clever people. He is convinced that graphic design has no interest but he’s quiet interested in its effects. Before this, he has been chief editor of étapes: magazine.
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106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
Broschur
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Schwarz-Weiß-Drucke, Nr. 030 aus der Reihe 100for10.
Eduardo Sarmiento is an artist working in the mediums of painting, drawing, design & illustration. His work is in the permanent collection of various museums and it has been shown in Miami, New York, Los Angeles, Oaxaca, Londres, Kiev, Munich, Santo Domingo, Quito, San Jose and Havana. Sarmiento’s work has been published in The New York Times, Texas Monthly, ESPN, Slanted, El Nuevo Herald, Miami New Times & ArteCubano Magazine among others.
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106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
Broschur
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Schwarz-Weiß-Drucke, Nr. 040 aus der Reihe 100for10.
Lukas Schönthal‘s alter ego is LUKI. An alter ego is „another self“ — a second personality within a person. It is also called leading a double life or could be described as„a second self, a trusted friend“. Schönthal is doing classical graphic design jobs such as corporate designs. Alter ego LUKI stands for art and illustration. He is working on various personal projects as well as commissioned ones. Born, raised and currently living in germany‘s most livable city, Karlsruhe.
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106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
Broschur
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Schwarz-Weiß-Drucke, Nr. 042 aus der Reihe 100for10
Yury Ustsinau an artist, designer and illustrator residing in Frankfurt am Main, Germany. Born in 1979 in Vitebsk, Belarus, the hometown of world-known artist Marc Chagall. Graduate from Vitebsk Technological University, with a degree in Product Design. He works as commercial illustrator and continues his passion for art in his private time. Much of his work is found in private collections an various pieces have been represented in galleries and art exhibitions. He has also success-fully participated in many competitions.
Starting off with traditional illustrations, Yury Ustsinau knew that he wanted to create his own special world. His first hands into a dialog. Subsequently special lighting was added, which allowed the forms to become more flexible. Yury has developed an amazing distinguished personal style where surrealism is rendered in black and white a unique glossy feel.
Text von der Webseite.
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106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
Broschur
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Schwarz-Weiß-Drucke, Nr. 044 aus der Reihe 100for10
Silke Werzinger is a freelance illustrator with home in Berlin. She illustrated several books and has worked for various clients such as Condé Nast, L’Oréal, Daimler, Die Zeit and Neon Magazine.
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106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
Broschur
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Schwarz-Weiß-Drucke
Jovana Reisinger is a filmmaker, writer, and artist who moves regularly between the worlds of journalism, fashion, literature, music, performance, theatre, and cinema. Her very first novel got published by Verbrecher Verlag, her fashionfilms get featured on i-D, INDIE and various international (fashionfilm-)festivals. Purchase „Donna Euro is poisoned by rich men in need“ and get access to www.donna100euro.de and watch 45 videos about love, hate, crime, fitness and shame and become part of the Donna Euro Celebration Society.
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This night perhaps won't be the night of our life. But really that's ok.
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106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
Broschur
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Schwarz-Weiß-Drucke
Clara Wildberger is a photographer and designer based in Graz and Vienna. Her work has been shown in various publications and exhibited throughout Europe, Asia and The United States. She likes cats very much.
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106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
Broschur
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Schwarz-Weiß-Drucke
NEU creates integral visual identies, appearances, brandings and communication strategies for print and web in various disciplines as editorial design, corporate design, web design and UX design, illustration, communication and marketing of towns. Unexpected, exciting, focused, convincing – NEU interacts between emotion and logic, art and culture, economy and design.
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Gender Studies in Architecture - Performativity – The relationship of public and protected space
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20x40 cm cm, 10 Teile. keine weiteren Angaben vorhanden
Konvolut mit Heften/Zines unterschiedlicher Formate A6-A5 in Plastiktüte des Lenbachhaus mit Applikationen aus farbigem, geschnittenem Tape und Geschenkband. Teils Collage von ausgedruckten Fotos auf Transparentpapier, Fold-outs, gezeichnete u. geklebte Karten, übereinandergedruckter e-mail-Verkehr zum Seminar, Ausdruck des Seminarprogramms, als Binde um das Konvolut. Handschriftlicher Begleitbrief
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Produziert zum Seminar von Frauke Zabel an der TU München, Oktober/November 2018. In diesem Rahmen auch Besuch im AAP am 03.11.2018.
Based on an observation of public, semi-public and commercial spaces in which we move in Munich today, the seminar takes a look at the regulation of the public space (gender construction and repression of political opinions) in different times and cultures. We will consider various counter cultural movements in their emergence in relation to the public space of the respective time. Why do counter cultural movements withdraw from the public space into protected spaces and imitate a form of reality in them? We will look at the development of Brazilian theater under military dictatorship in the 1960s in Brazil by examining two architectural examples. The imaginative space of the theater, in which the reality is put into negotiation, will be regarded in relation to the imitation of the public space in the Ballroom culture of the 1980s in New York. There people were able to perform and to imitate (gender) roles, which the society did not provide for them. These historical references are complemented by a consideration of the current LGBTQ+ movement in different locations worldwide and their relationship to the public space. What are the moments that engage counter cultural movements to move in public space to gain visibility? We will look at examples like invisible theater, artistic processions, performances, parades and manifestations.
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[56] S., 26x18 cm, Auflage: 1.000, ISBN/ISSN 9780957586710
Drahtheftung
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2. Auflage 0817. Index is curated by Café Royal Books and supported by the Contemporary Arts Development Group at the University of Central Lancashire (Impressum)
Index began as an online open submission project. Criteria being, ‘submissions must have already been used to communicate, or be communicative in their own right’. All submissions have been removed from their original context, breaking the messages or ideas for which they were created. Using Index as a container, exhibition space and story telling device, the pages that follow have been edited to create pairs or combinations of images that can be read as new narratives. The book is an experimental exchange of out-of-context, repurposed text and image. Café Royal Books produce weekly photographic publications focussing broadly on aspects of change, usually within the UK. Founded in 2005 Café Royal Books is an independent publisher based in the North West of England.
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Fotografija NR. 1 (35) 2018
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[116] S., 27,5x23 cm, ISBN/ISSN 16487273
Broschur
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We are heading into a future where our choices will be shaped – if not outright determined – by algorithms and artificial intelligence. This coming state has been labelled “the new dark age” (James Bridle, 2018).
It remains to be seen what this brings to photography, and vice versa.
One thing, however, seems clear: photography, which has already changed significantly in the 21st century, is affected by – and in some important ways is part of – this development. This issue of “Fotografija” explores how programmes, apps and AI-related technologies shape and change the discourse of photography, challenging traditional boundaries of the medium.
Various programmes and services – Google, Photoshop, Flickr, Snapchat, visual recognition, etc. – provide new tools to conceive image-making and think photographically. Technological interfaces not only deliver instruments for making work but can become the very logic for creating photographic series.
The presented artists offer perspectives to raise questions and discuss these technological shifts. From dealing with traumatic events (Indrė Šerpytytė) and inaccessible sites (James Bridle) through technological mediation to playing with our expectations of an all-pervasive Photoshop manipulation (Erin E’Keefe). From exploring so-called smart surveillance systems (Esther Hovers) and censoring politically sensitive sites (Mishka Henner) to everyday glitches (Mantas Grigaitis). From playing with the copyrights of such collective websites as Flickr (Penelope Umbrico) to exploring the shared language of being in some of the most photographed places on earth (Thomas Albdorf). And from using Photoshop to create images (Aaron Hegert) to an image that is barely photographic (Zachary Dean Norman). The four essays (Kate Palmer Albers, Roksana Filipowska and Marijana Rayl, Ilaria Speri, Alise Tifentale) map out the works in broader social, historical and art contexts.
In short, the works deal with our technologized world. They talk about being in the middle of changes that few have envisioned. Being so immersed, one can feel it (almost) hurts.
Text von Paul Paper.
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[12-16] S., 20,6x13,5 cm, Auflage: 100, signiert, 12 Teile. keine weiteren Angaben vorhanden
11 Hefte, Schwarz-Weiß-Laserkopien, Drahtheftung, Aufkleber
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About the series:
The For Everard zine series chronicles the 1977 fire at New York's Everard Baths, combining archival research with imagined narratives to re-focus attention to obscured histories. The series explores the media coverage of the subsequent investigation of the fire, and the lives of the nine men who perished. The zines bring together photographic images with primary news sources, as well as personal anecdotes collected from eyewitness testimonials.
About the individual zines:
For Everard, Vol. 1, 2013, ed. 100 (nr. 65)
This zine chronicles the May 25, 1977 fire at New York's Everard Baths and the media coverage of the subsequent investigation.
For Everard, Vol. 2 (Bloodbrothers), 2013, ed. 100 (Nr. 81)
In the second volume of his series chronicling the 1977 fire at New York’s Everard Baths, Anthony Malone focuses on Bellevue Hospital’s blood drive for the victims of the great bathhouse tragedy. Malone draws parallels between the 1977 restrictions placed on gay men for donating blood to their “brothers” and current FDA guidelines that indefinitely defer donations from men who have had sex with men since 1977. This black and white photocopied zine (ed 100) juxtaposes archival images, news clippings, and just a touch of fantasy.
For Everard, Vol. 3 (Remembering Jimmy), 2015, ed. 100 (Nr. 94)
Volume 3 of the series, For Everard is dedicated to the memory of Jimmy Stuard, who died in the tragic fire at the Everard Baths in 1977. Stuard was a rising star in the disco music scene. He spun records first at Boston’s 1270 Club, and later at New York’s 12 West, where he inspired an entire generation of musical artists and DJs. In this particular volume, Anthony Malone assembles images and archival texts that serve as a tribute to the great Jimmy Stuard.
For Everard, Vol. 4 (A Lovely Show), 2016, ed. 100 (Nr. 62)
For Everard, Vol. 4 (A Lovely Show) is a tribute to Kenneth Hill, one of the nine men who died in the devastating fire at the Everard Baths in 1977. Kenn played a vital role in the East Village/Lower East side countercultural movement in the late ‘60s and 1970s. He was a hippie, a bar tender at Phebe’s (a watering hole and salon for the experimental theater community in the 1970s), one of the founders of the Old Reliable Theatre Tavern, House Manager at La Mama Experimental Theatre Club, and a photographer. This zine celebrates Kenneth Hill by collaging archival documents with personal artifacts and pictures of Kenn from meaningful moments in his life.
For Everard, Vol. 5 (A Dearly Loved Man), 2017, ed. 100 (Nr. 95)
For Everard, Vol. 5 (A Dearly Loved Man) assembles images and stories from the life of Ira Landau, a gifted and dedicated teacher who died in the tragic fire at the Everard Baths in 1977. Ira left behind a devoted family (his mother, brother, niece, and lover) and is still greatly missed by his loved ones. This zine is a tribute to the life and accomplishments of a remarkable man who served in the Peace Corps and committed himself to educating young minds both abroad (in the Middle East) and at home in the US. It contains family photos and personal images generously contributed by Ira’s niece.
For Everard, Vol. 6 (Yosef’s Song), 2017, ed. 100 (Nr. 94)
Volume 6 of the series For Everard celebrates the life of a remarkable musical prodigy, Yosef Synovec. This zine tells the story of a young man with great aspirations who emigrated to the United States from Czechoslovakia to study classical violin. In 1976, Holly Woodlawn overheard Synovec vocalizing as he was painting the bathroom of his East Village apartment, and determined on the spot that she had discovered an emerging star. As a singer, Synovec used his extreme vocal range to imitate the voice and persona of Peruvian diva Yma Sumac. He performed Sumac’s exotic musical numbers at several New York City cabarets and show venues. Sadly, on May 25, 1977, Yosef perished in the tragic fire at the Everard Baths.
For Everard, Vol. 7 (Tony from the Bronx), 2017, ed. 100 (Nr. 86)
This zine brings together images and stories from the life of Tony Calarco, one of the nine men who died in the fire at the Everard Baths in 1977. Tony was only 26 when he died. He lived with his parents and siblings in a modest house in the Bronx. He had recently graduated from college and was working as a social worker in New York city at the time of his death. Tony had aspirations to become a lawyer and was scheduled to begin law school in September of 1977. This zine celebrates Tony Calarco’s memory through photos of Tony, artifacts from his high school and college years, and recent photographs of his home and final resting place.
For Everard, Vol. 8 (Looking for Amado), 2017, ed. 100 (Nr.84)
Amado Alamo, a young man only 17 years old, lost his life in the fire at the Everard Baths in 1977. In Volume 8 of For Everard, Anthony Malone documents his search for the identity of the youngest victim of the Everard fire. The zine is an abstracted portrait of Alamo that assembles the few extant fragments of his story culled from newspaper articles and documentary sources glued together with the artist’s imagination.
For Everard, Vol. 9 (Last Call), 2017, ed. 100 (Nr.72)
Life was difficult for Hillman Wesley Adams. He was born in Jacksonville FL in 1938. His mother died just a few months after his birth, and by the age of nine, he found himself in an orphanage with his older brother. Fast forward 30 years: Hillman moved to NYC, struggled to make ends meet while working on and off as a bartender, and he met his lover, Ralph, with whom he shared a modest apartment in New Jersey. On May 25, 1977, Hillman died in the fire at the Everard Baths. Vol. 9 of For Everard is an assemblage of newspaper articles and vintage photos chronicling the life and untimely death of Hillman Wesley Adams.
For Everard, Vol. 10 (In Memoriam: Patrick Nott), 2018, ed. 100 (Nr. 64)
Volume 10 of For Everard memorializes the life of Patrick Nott, one of the nine men who died in the fire at the Everard Baths. Nott, a native of Wales with a passion for theater, literature, and music, pursued a successful career in hairdressing. He fell in love with his pen pal (a young woman from Brooklyn) and after their marriage, they moved to New York City, where Nott worked at the Vidal Sassoon Salon. This zine weaves together elements from his story (shared with the artist by Patrick Nott’s wife), with photographs, newspaper clippings, and artifacts. It acts as a humble tribute, an “In Memoriam” for this greatly loved man.
For Everard, Vol. 11 (Thunderbird), 2019, ed. 100 (Nr. 79)
Brian Duffy was an aspiring artist. In 1966 he was accepted to Pratt Institute of Art and although he declined admission to the school, he seized the opportunity to move to NYC and start a new life for himself. In the city, he worked hard at various retail jobs and tried to break into the theater, but everything changed when he met the love of his life, Bradley. The couple moved to a “quieter life” in Boston. They worked in restaurants in the Back Bay area and created a community for themselves amongst their chosen family of friends. Volume 11 of For Everard celebrates the brief life of Brian Duffy, a young man who died in the fire at the Everard Baths in 1977. This zine compiles photographs and stories shared with Malone by Brian’s sister and dear friend.
The pseudonym "Anthony Malone" comes from a novel by Andrew Holleran (Dancer from the Dance). In this novel, Malone is the protagonist and at the end he disappears. Some of his friends believe that he may have committed suicide, others feel that he may have run away from New York, while some say that they saw him at the Everard Baths on the night of the fire. I imagine that Malone survived the fire and he is now making books and zines telling the story of the tragedy.
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wordpharmacy - Nouns - Contents: 431
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18x40,5 cm, ISBN/ISSN 978-3-943196054
Kartonbox 10,5x11,8x7,5 cm (HxLxB, auseinandergefaltet 18x40,5 cm, mit Beipackzettel A4 gefaltet auf 7x7,7 cm
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Wordpharmacy combines the structure of language with the healing principles of various medicaments. Like pills, language is something to be consumed by the body, and in turn it does not only affect our conceptions of things, but it also comes to designate our very corporal movability in the world. Consequently, words are not only something we consume, they are refractory entities that in turn define and consume us. Wordpharmacy can be seen as a poetical gesture endeavouring to let words work their magic from within the body itself. The Wordpharmacy is written and produced by the danish poet Morten Søndergaard. The Wordpharmacy has be shown in several cities like Paris and London and Berlin and Bangor and Tromsø and Voss. The Wordpharmacy is translated into English by Barbara Haveland and designed by Christian Ramsø and is now available in six languages.
Text von der Webseite
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Underground Productions 30
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What is 21st Century Liberation
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Maximum Rock n' Roll #211
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KLANG! SUONI CONTEMPORANEI
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13,5x13,5 cm, Auflage: 1.000, 7 Teile. keine weiteren Angaben vorhanden
CD Box ohne CD, 3 Booklets, 1 gefaltetes Plakat, 1 Aufkleber in Kartonbox, 3 Seiten Pressematerial
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The catalogue from Pezzini Editore consisting of three illustrated booklets, a poster, a sticker, [a cd and a dvd] in original die-cut box designed by Gumdesign, documents the sound based Multimedia Festival curated by Vittore Baroni and BAU at the historical Villa Paolina in Viareggio on 7-8-9 August 2009. The exhibition included installations and audio art works from 20 international artists, plus the collective project Bzzzoing! with musical instruments created by over 60 authors. In the course of the three days, audiovisual works of over 40 authors have been projected and over 20 poets, artists and musicians performed at the villa. In the centenary of futurism, a singular and rich overview of the many interferences between sound and image, paying tribute in the logo to Luigi Russolo’s Noise Machines.
Text von der Webseite
Catalogue of Klang! exhibition/sound art festival held at Villa Paolina, Viareggio, Italy, august 7-9 2009, comprising sound installations, exhibition and performances of invented musical instruments, and performances by visual artists, sound poets and electronic musicians.
Cardboard box published in 500 copies freely distributed during the festival days, including 3 booklets, a sticker and a poster; 300 copies were later produced with additional cd + dvd documentation of the festival.
Text von discogs Webseite
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Arte Postale! 100 - Klang! Blah! Bzzzoing! Szock!
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36 S., 14,5x15 cm, Auflage: 100, keine weiteren Angaben vorhanden
Drahtheftung, im Umschlag vorne 3 Booklets und 1 gefaltetes Poster (Klang! Suoni Contemporeani) in Einschubtasche, rückseitig eine selbstgebrannte und -gestempelte Multimedia CD, Heftseiten Schwarz-Weiss Kopien mit 4 eingeklebten Farbbildern, auf dem Cover das Klang! Logo ebenfalls aufgeklebt
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ARTE POSTALE! (1979-2009)
One of the best known and probably the most long-live mail art magazine on the planet, Arte Postale! has assembled original works or published materials by hundreds of international networkers. The project is considered concluded with issue n.100 (december 2009).
Text von mailartprojects.blogspot.com
When, just over twenty, I was assembling the first issue of the magazine Arte Postale!, joining with brass rings a dozen of sheets printed in one hundred copies on pink paper, I would never have imagined that thirty years later I would have been still busy putting together with scissors and glue the very same publication. Instead, this issue n. 100, intentionally produced in the homemade cut-and-paste style typical of mail art, even shares the musical theme with that first experiment, in which I already rubberstamped and glued leaflats on the pages or I stapled on them a piece of magnetic tape.
Introduction by Vittore Baroni
Issue no. 100 of Vittore Baroni's Arte Postale! magazine dedicated to the Klang! exhibition/sonic arts festival held in Viareggio, Italy, august 7-9 2009.
36 pp. booklet with attached cd-r, published in 100 copies (standard edition, in the AAP) plus 100 copies with additional plastic pouch including 30 original cd-size works by 30 artists (Joel S. Cohen, David Dellafiora, Mike Dickau, Carol Stetser, Ruggero Maggi, Emilio Morandi, Jan-Willem Doornenbal, Ever Arts, Luc Fierens, Richard Kostelanetz, Jurgen O. Olbrich, Gianni Simone, Rod Summers, Bruno Cassaglia, Ruggero Maggi, Serse Luigetti, etc.
Among them comes a CD mini-album by Jarmo Sermilä: Mechanical Partnership, a complimentary copy of the official Jase 2000 release - see Jarmo Sermilä - Mechanical Partnership.
Text von discogs Webseite
Audio
1. Mike Dickau - Arte Postale!: Pax Vobiscum (2’54”)
2. Günther Ruch - Musica 123456 (2’09”)
3. Reid Wood - Future Sound (0’27”)
4. Krell - Bzzzoing! (5’00”)
5. Franco Piri Focardi - Concerto Per Bozuffo (3’41”)
6. Jan Willem Doornenbal - Lake Crocodile (2’16”)
7. Bruno De Angelis - 100: Game Over! (4’ 30”)
8. Joel Cohen - Last Song Reverse (2’17”)
Tempo Totale | Total Time: 23’54”
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When the Saints - il lato spirituale di FUN
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10,8x7,3 cm, keine weiteren Angaben vorhanden
weisse Faltschachtel, golden bedruckt, darin ein einfarbig violett gedrucktes 16 seitiges Booklet (drahtgeheftet) und 36 beidseitig farbig bedruckte Karten 10,5x7
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a colour box set with 36 alternative saints of the FUNtastic Nations by international authors (Giacon, Ruijters, Zattera, Chiarotto, Staffa, King, Echaurren, Biancuzzi, etc.) plus 16 pp booklet.
F.U.N. (Funtastic United Nations) is an independent and supranational organization that intends to stimulate a cooperation amongst all kinds of imaginary countries and worlds, coordinating meetings, publications, exhibitions and events. We offer our skills and resources to create a bridge between creative and funtastic geographical entities, representing numberless and mutable virtual countries, multiethnical and transgender, where the passports, postage stamps and banknotes are real but not the wars.
F.U.N.’s vocation to interact in an horizontal “networking” attitude with local and distant, real and imaginary situations, to create unexpected interferences between art and daily life, is a strategy aimed at preserving the biodiversity of cultures and encouraging an eco-friendly, free and open participation to the creative experience. F.U.N. is the logic evolution of over twenty years of networking activities in the fields of mail art, of independent music (The Great Complotto, Le Forbici di Manitù), of collective multimedia projects (Trax), of multiple names (Lieutenant Murnau, Mind Invaders, Luther Blissett), of imaginary worlds and characters (Stickerman-Stickerland) and of counter-cultural documentation (various fanzines, AAA Editions).
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22x12,5 cm, keine weiteren Angaben vorhanden
gefalteter Karton mit WC Stein aus Gips in Kunststoffhalterung, im Stein soll ein USB Stick sein, drahtgeheftetes Booklet liegt bei
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30 mp3 Titel
1. B°tong - Either You Or Them 06:45
2. Bad Skin - Klix 01:35
3. Brandstifter - Agra Flux 00:26
4. Chantal Last - Live @ Bei Ruth 2015_09_18 (Excerpt) 12:34
5. Dallas Oil and Disco Spray - Zustand Mit Raucherpause (Edit) 04:51
6. David Wallraf - un 09:55
7. Duvel Brothers - Philosophy Of Drunk 04:19
8. Eitlepratner - Leid 00:45
9. Erotic Nights - Oops... I One More Time, Nizer 18:26
10. FKK Wolf - French Kiss (Original) 03:44
11. Gang Mo Fo' - Deep Rap Of Thoughts 03:06
12. Getöseföhn - Diarrhoea 05:02
13. Güllepumpe - King Kong Sagt Sein Name Nicht 05:11
14. Halber Ball - Bystanders 09:38
15. Helge Meyer - Stupid Memory 04:49
16. Helge S. Hammerbrook (1000schoen) - Lia Vakuo 18:26
17. Herzbräune - Sunset 13:48
18. Jetzmann - Mit Liebe 04:48
19. Mafjosi3000 - Zink 01:42
22. Nils Quak - Frühstück Mit Omi 06:02
23. Noisebreezer - Slayer's Nightmare 10:43
24. Occupied Head - Uncertain Ride (Rough Mix) 05:31
25. Osscile - Gard 11:54
26. Roland Wendling - chtnüschaerndlaTIKTOElaerTAK (A Fonfara Remix) 03:12
27. Schwall - Rattlefridge (Edit) 11:29
28. Sebastian Felstau - Ohrfeigengesichter 04:16
29. Tintin Patrone - Pluto 06:05
30. Wosto - Röbel Pöbel 10:28
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2 S., 21x14,8 cm, keine weiteren Angaben vorhanden
Karte
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Zur Ausstellung Solid Currents 07.09.-19.10.2024, Im Rahmen von Various Others 2024 als eine gemeinsame Ausstellung von Lennart Lahuis und Paul Valentin in Zusammenarbeit mit Dürst Britt & Mayhew, Den Haag.
In der Archäologie werden vergangene Zivilisationen anhand materieller Überreste untersucht. Die sorgsam geborgenen Funde werden vermessen, kartiert und dokumentiert. Das Ziel dieser wissenschaftlichen Betrachtung ist es, ein umfassendes Bild vergangener Kulturen zu rekonstruieren und zu verstehen, wie diese zur Entwicklung der heutigen Gesellschaft beigetragen haben. Doch was passiert, wenn die Funde sich nicht einordnen lassen und aus der Zeit gefallen scheinen? Der niederländische Künstler Lennart Lahuis und der Münchner Künstler Paul Valentin gehen in ihrer ersten gemeinsamen Ausstellung „Solid Currents“ Fragen von Zeitlichkeit nach und untersuchen dabei die Rekontextualisierung von Gegenständen. ...
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Burning IXXUES von Zine COOP
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Blogeintrag vom 18.09.2021
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FLORIDA in der Kunsthalle Lothringer13 in München zeigt vom 18.09.2021–10.10.2021 zu Various Others 21 BURNING IXXUES, eine Sammlung von über 100 Zines, entstanden während weltweiter gesellschaftlicher Bewegungen.
2019 begann die Gruppe ZINE COOP Zines zu sammeln, die während der Pro-Demokratie-Proteste in Hongkong entstanden sind. Diese Sammlung wurde 2020 mit Zines aus Indien, Indonesien, Japan, Kuwait, Libanon, Macao, Südkorea, Philippinen, Russland, Singapur, Taiwan, Deutschland, England, Schottland, Frankreich, Chile, Mexiko, Venezuela, Kanada und den USA erweitert. ...
... ZINE COOP (seit 2017) ist ein unabhängiges Publishing-Kollektiv in Hongkong. Es sammelt Zines und vermittelt diese in Workshops und Ausstellungen. ... Aktuelle aktive Mitglieder sind Atom Cheung, Beatrix Pang, Forrest Lau, Jason Li und Ranee Ng.
Zine-Workshop mit Paula Pongratz am 23.09.2021 von 11 bis 16 Uhr.
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64 S., 18x18 cm, 2 Stück. keine weiteren Angaben vorhanden
Drahtheftung, Schwarz-Weiß-Druck, mit eingelegter Single Schallplatte, in gestempelter Papierhülle
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Jede Ausgabe des Kruzefix im quadratischen 7“ Format ist einem bestimmten Thema gewidmet. Diesmal den Powerfrauen in der Punkgeschichte gewidmet. Mit großem Bericht über diverse besondere Punkfrauen in Musik, Szene und Politik. Ebenfalls: A.O.S.E. Sexreport. Single-Beilage ausschließlich mit rotzig, fetzig, schönem Frauengesang. Und, wie immer: Konzertberichte, Szenenews, Bandinfo u.v.m.
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64 S., 18x18 cm, 2 Stück. keine weiteren Angaben vorhanden
Drahtheftung, Schwarz-Weiß-Druck, mit eingelegter Single Schallplatte, in gestempelter Papierhülle
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Jede Ausgabe des Kruzefix im quadratischen 7“ Format ist einem bestimmten Thema gewidmet. Viel Insider-Info zur internationalen Punkszene, Interviews mit spanischen, italienischen, puertoricanischen, brasilianischen, holländischen und canadischen Bands, Musikmachern, Labelbetreibern und anderen Szenekennern. Und, wie immer: Konzertberichte, Szenenews, Bandinfo u.v.m.
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36 S., 18x18 cm, Auflage: 700, 2 Stück. keine weiteren Angaben vorhanden
Drahtheftung, Schwarz-Weiß-Druck, mit eingelegter Single Schallplatte, in gestempelter Papierhülle. In transparenter Kunststoffhülle zusammengefasst
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Zine erstmals im 7" Format, limitiert auf 700 Stück, Mit Konzert Reviews, Band Interviews, History
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12 S., 14,8x14 cm, 2 Stück. keine weiteren Angaben vorhanden
Flyer, Schwarz/Weiß, Dreibruch-Kreuzfalz, offenes Format DIN A3
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[2] S., 18x18 cm, Auflage: 320, numeriert, keine weiteren Angaben vorhanden
Orangefarbene Vinylplatte in einem gefalteten beidseitig bedrucktem Poster - 54x36 cm - in einer Plastikschutzhülle. Die Rückseite des Plakats zeigt den Inhalt der beiden Seiten der Platte - gestaltet mit Letraset Lettern.
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Zweite Zusammenarbeit zwischen Le Petit Mignon und dem Berliner Design- und Verlagslabel Re:Surgo!
Le Petit Mignon ist ein Plattenlabel, ein Verlag und eine wandernde Galerie, die sich auf DIY- und Underground-Kunst und Grafikdesign konzentriert. Es wird vom Berliner Musikverlag Staalplaat - spezialisiert auf ungewöhnlichen und experimentellen Sound - betrieben.
Die je etwa 20 experimentellen Musikstücke auf jeder Seite der Platte kommen von rund 40 Künstlern und sind zwischen 7 und 22 Sekunden lang.
Kuratiert und zusammengestellt wurde das Projekt von: C. Gfeller, G. Siffert, Nine Yamamoto-Masson.
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[94] S., 25,3x20 cm, ISBN/ISSN 9780986908941
Broschur, Laserdruck
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Lone Wolf is a picture book whose name is derived from the provision of the U.S.A. Patriot act which seeks to create a legal framework that allows the government to surveil individuals not associated with any group or country who are believed to be engaged in terrorist activities. Comprised of screenshots from reality television shows depicting expressions of physical force within three sectors of american society: police, local militia, and the U.S. military, excerpts from congressional hearings of the 112th and 113th congresses on the Patriot act give context to the images. The photographic images have been converted into large halftone dot compositions, which might imply an information flow—or lack of—that exposes the roots of suspicion and intolerance that culminate in statements like “see something, say something.”
"Texts from 'Let there be light,' directed by John Huston, 1946, and four congressional hearings on the USA Patriot Act between 2009 and 2011 (111th and 112th Congress). Images from various reality television shows including Cops, Moonshiners, Sons of Guns, The Colony, American Guns and Alaska State Troopers, as well as Flickr.com"--Colophon
Title based on the Lone Wolf provision on surveillance in the USA Patriot Act.
Texte von verschiedenen Webseiten.
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colophon No. 01 - Display
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24 S., 42x29,7 cm, Auflage: 500, numeriert, ISBN/ISSN 9783947250400
geklammert, mehrfarbiger Risodruck
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Publikation der Akademie der Bildenden Künste München und des Kunsthistorischen Instituts der LMU München
colophon - Magazin für Kunst und Wissenschaft is the outcome of a collaboration between the Institute of Art History of LMU Munich and the Academy of Fine Arts Munich. Within the framework of a cooperative seminar, students from both institutions developed contributions under the direction of Magdalena Becker and Niklas Wolf. Accompanied by texts from various young writers and graphically designed by students of the print workshop of the Academy, the first issue is dedicated to questions of display. Further issues of the magazine will be published semi-annually with a different thematic focus.
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26 S., 42x29,7 cm, Auflage: 300, numeriert, ISBN/ISSN 9783947250455
geklammert, mehrfarbiger Risodruck
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Publikation der Akademie der Bildenden Künste München und des Kunsthistorischen Instituts der LMU München
colophon - Magazin für Kunst und Wissenschaft is the outcome of a collaboration between the Institute of Art History of LMU Munich and the Academy of Fine Arts Munich. Within the framework of a cooperative seminar, students from both institutions developed contributions under the direction of Magdalena Becker and Niklas Wolf. Accompanied by texts from various young writers and graphically designed by students of the print workshop of the Academy, the first issue is dedicated to questions of display. Further issues of the magazine will be published semi-annually with a different thematic focus.
Text von der Webseite
Aus dem Inhalt: 010011, Atlantiküberquerung, Atlasania, Aufklärung, Bindung, Charakterologie, Colophon, Diagramm, Diversität, endemisch, Farben, Fiktion, Garten, Geographie, Instrument, Karte, Klima, kontrafaktisch, Kosmogonie, Kugel, Labor, linear, Melancholie, Mythologie, Neue Welt, Neurath, Normierung, numerisch, Orientierung, Projektion, Raumerkundung, Restlosigkeit, Revolution, Säule, Schafsleber, Schultern, Tafel, Taxonomie, Tisch, Übersetzung, Umordnung, Utopie, Verzerrung, Warburg
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6 S., 23,5x12,9 cm, 2 Teile. keine weiteren Angaben vorhanden
Faltkarten mit eingelegtem Blatt
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Infokarten zur Ausstellung JET LEG – Biennale d’Arte e Cultura, Edition 2, 09.09-25.09.2022 als Gastprojekt in der Lothringer 13 Studio.
JET LEG initiiert einen Prozess des nachhaltigen künstlerischen Austauschs und der Überwindung kultureller, sozialer und kreativer Grenzen. Als offene Plattform und dynamisches Netzwerk bietet das Projekt vielfältige Möglichkeiten der Reflexion und Erforschung künstlerischer Prozesse sowie der Verhandlung drängender aktueller Themen im direkten Austausch mit der Gesellschaft.
JET LEG, Biennale d’Arte e Cultura – das bilaterale Projekt, initiiert vom neapolitanisch-münchnerischen Künstler Danilo Bastione und erstmalig durchgeführt 2021 in Neapel, kommt am 25. August für seine zweite Ausgabe nach München. Das Projekt basiert auf einem einmonatigen Künstler*innenaufenthalt und weitet sich in ein drei wöchiges Rahmenprogramm mit öffentlichen Aktionen und einer Ausstellung als Höhepunkt, die am 09. September eröffnet wird aus.
Im Rahmen von JET LEG entwickeln die süditalienischen Künstler*innen Pennacchio Argentato, Clarissa Baldassarri, Paolo Puddu, Maria Positano de Vincentiis, Ambra Viviani und Diego Miedo Werke vor Ort, die in verschiedenen Ausstellungsräumen, OFF-Spaces und im öffentlichen Raum gezeigt werden. Die Präsentationen suchen die offene Auseinandersetzung mit der lokalen Kulturszene und der Stadtbevölkerung.
Der partizipative Geist der Biennale wird auch im Vorfeld der Ausstellung in der ganzen Stadt zu spüren sein: In Form von öffentlichen Interventionen, Künstler*innengesprächen, Workshops aber auch Konzerten im Rahmen eines „Museo Mobile“ fordern die Künstler*innen an jedem Ort zur Diskussion und zur Mitgestaltung auf.
Ausstellungs- und Aktionsorte: Lothringer 13 Studio/ lokal, öffentlicher Raum Au-Haidhausen, Bogenhausen, Cafebar Mona (Monacensia München), OFF Space Schumannstraße, uvm.
Die Ausstellung im Lothringer 13 Studio wird im Rahmen von Various Others präsentiert.
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A Big Announcement - Bernd Kuchenbeiser zeigt Bücher und Schallplatten
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16,1x11,4 cm, 2 Stück. keine weiteren Angaben vorhanden
Braune Versandtasche, bedruckt. eingelegt 4 Karten mit abgerundeten Ecken, ein Programmheft von Various Others
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Ausstellung in der Villa Stuck 08.10.2022-15.01.2023.
Ausgehend von eigenen Projekten zu Buch und Schallplatte, entwickelt Bernd Kuchenbeiser für ‚A Big Announcement‘ einen „kaleidoskopischen“ Ausstellungsrundgang. „Kaleidoskop“ darf auch im Wortsinn verstanden werden: „schöne Formen sehen“.
Die Ausstellung wird in Themen und Farben durch ein Gedicht von John Baldessari strukturiert. In Buch- und Schallplattensequenzen werden die Betrachter*innen zur Erforschung von Sprache und Ausdruck eingeladen und angeregt persönliche Assoziationen und Interpretationen zu finden.
In der Ausstellung, ebenso wie in seiner Arbeit, lotet Bernd Kuchenbeiser die Möglichkeit aus, Inhalte so zu durchdringen, dass sie im Entwurf aus eigener Kraft für sich sprechen. Ganz so, als ob Gestaltung selbstverständlich und der Gestalter unwichtig wären. Nicht zuletzt geht es also darum, eine Deutung von Buch und Schallplatte als politisch-demokratische Medien zurückzubringen: im Sinne von Neugier, von Bildung, von Solidarität.
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12,1x8,6x3,5 cm, Auflage: 30, numeriert, 7 Teile. keine weiteren Angaben vorhanden
Brauer Karton mit bedrucktem und bemaltem Deckel, Msikkassette in bedruckter roter Papiertüte, 2 Papiere, 2 Schwarz-Weiß-Fotografien
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Places 2023 May-Aug Munich Art Map
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18x10,5 cm, keine weiteren Angaben vorhanden
Faltblatt mit Stadtplan
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Veranstaltungen der Vereinsmitglieder und von Münchner Institutionen, im Vorfeld von Various Others im September 2023
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On the Mystic, Magick, Talismanic, Alchemical Practice of Zine Making
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[14] S., 21,5x14 cm, keine weiteren Angaben vorhanden
Drahtheftung
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Heft des Künstlers Brian Cotnoir, der auch der Gründer des Verlages Khepri Press ist. Er beschreibt sein Heft selbst wie folgt:
On the Mystic, Magick, Talismanic, Alchemical Practice of Zine Making is a description of alchemical practice through the making of zines. Alchemy is the art and science of bringing something to its final perfection or completion. And, being perfected, can in turn perfect. It is about making change in the world for the betterment of the world and the soul. You know, like Marx said, “the philosophers have only interpreted the world, in various ways; the point, however, is to change it.”
Text aus dem Heft.
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29x21 cm, numeriert, keine weiteren Angaben vorhanden
Papierschnipsel, Stempel, Originalzeichnung, handschriftlicher Text
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Teil des Mail Art Projekts Spuren von Wolfgang Rostek
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The ARTZINES Research project - A story by Antoine Lefebvre in collaboration with Hubert published by Objet Papier
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40 S., 21x14,8 cm, Auflage: Unikat, keine weiteren Angaben vorhanden
Laserausdrucke nach Email und PDF, Drahtheftung. Email Englisch und Deutsch
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... I am writing you because I interviewed you for my research project ARTZINES, in which I explored the world of zines made by artists.
The project started in 2015, so the interview in question might have happened ages ago. If it was a video interview, it should be on Vimeo and here: https://www.youtube.com/@ARTZINESINFO
I have been collecting 88 testimonies from various people interested in zines for a very long time, and I wanted to gather all of them into a book about zines made by artists.
Then life happened, the good and the bad, until I met the Objet Papier collective, who published Print It, a web-to-print magazine generated from a website to be different each time.
For the past two years, I worked with them to create an interactive and generative ARTZINES book that is different each time it is downloaded (I counted 130.749.696 possibilities, but that’s a low estimate).
I wrote my research journey as a " Choose Your Own Adventure Book," and I am happy to tell you that you are a character in this story, since your interview is featured in the book! There are a maximum of 6 interviews in each generated PDF, so your interview won’t show in every book.
If you want to see what it looks like, you can generate PDFs of the book directly from the platform ...
Auszug aus der Email vom 05.11.2024
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Technische
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[20] S., 20,2x13,1 cm, Auflage: 100, numeriert, signiert, keine weiteren Angaben vorhanden
Fadenheftung, handnummeriert
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Büchlein des japanischen Künstlers Sayo Senoo, bestehend aus verfremdeten Bildern, die der Künstler von japanischen Sex-Business-Webseiten heruntergeladen hat. Auflage von 100, die alle nummeriert und signiert sind.
"Bodies that shed tears 3" is a sequel to "Bodies that shed tears" and "Tachinbo". This little book is made from my collection of photos downloaded from various sex related business websites in Japan. I worked in this kind of company to pay for my art studies. These jobs are mentally and physically heavy. But the high pay prevents most of us from quitting before their health is damaged.
The images are transformed through several processes using inkjet printers to make visible these physical and mental damages, the fatigues and the pains, that hide behind the seductive poses and smiles of the people in the photos. The book is printed on an incompatible paper with my printer, so that the images are ephemeral and fragile like as our body.
Text von der Webseite
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Titel
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Buch 05 - immer wenn ich versuche fiese fliegen zu machen werden daraus schöne blumen.
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28 S., 14,8x14,8 cm, ISBN/ISSN 978-3-940548-17-7
Drahtheftung, in Transparenthülle
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The drawings were extracted from various sketchbooks focussing on people, friends and acquaintances, a couple of celebrities, different characters and fantasy creatures
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28 S., 14,8x14,8 cm, ISBN/ISSN 978-3-940548-22-1
Drahtheftung, in Transparenthülle
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Sketches and Experiments from the artwork:
ALARMA MAN | LOVE FOREVER.
The record was published by sinnbus records in 2010.
In the process of drawing and designing the cover a small book emerged and was meant to be published and shared with the world.
´LOVE´ is a selection of drawings on found footage photographs by the artist Stephane Leonard and those drawings processed and edited by the designer Martin Eichhorn.
The first half of the book is dedicated to all the drawings and the second half to various layout sketches and experiments for the artwork of the swedish band Alarma Man´s 2010 record LOVE FOREVER. The photographs display different stages within relationsships - from childhood to marriage to death. Leonard´s drawings and drawn words react and interact with the photos scratching off the obvious, exposing invisible emotional aspects of the scene
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28 S., 14,8x14,8 cm, ISBN/ISSN 978-3-940548-07-8
Digitaldruck, Drahtheftung, in Transparenthülle
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´MIET ME´ is a series of pictures by the german photographer Schröder E..
The focus of this series is on various events around Germany seen through the eyes of an outsider who is standing right in the middle of the scene. Schöder E. is part of the event, documenting what is happening in front of him without actually participating and thereby creating humorous and composed, almost staged moments
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NASU 15 - Various Artists 2009 (compilation)
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13x13 cm, keine weiteren Angaben vorhanden
Musik-CD in Papphülle, transparenter Kunststoff, Begleitheft, cover art: Claudio Pfeifer & Stephane Leonard
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aufgenommen vom 23.-25.02.2009 im Sendesaal des Hessischen Rundfunks, Frankfurt a.M.
Produzent: Stefan Fricke. Tonmeister: Christoph Claßen. Toningenieur: Thomas Eschler. Gemischt von Christoph Claßen. »Samstag Morgen - Berlin Neukölln. Studie. Und Selbstportrait. Mit Hirsch.« gemischt von Christoph Claßen und Maximilian Marcoll. »Box« gemischt von Christoph Claßen und Hannes Seidl. Produziert von stock11.de in Koproduktion mit dem Hessischen Rundfunk
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Monsanto Company Earnings Call Transcript
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36 S., 14,8x10 cm, Auflage: 600, 2 Stück. ISBN/ISSN 978-3-868740066
Broschur
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Taken 100% from reality, this is a full length transcript of the fourth quarter 2009 Monsanto Company Earnings Conference Call, treated, layouted, published and performed as an original theater piece (on occasion of the exhibition & symposion "The apparatus of life and death" at the Museum of Contemporary Art Skopje).
The main acts are "Presentation", "Question-and-Answer Session" and "Copyright Policy", the main characters are Hugh Grant (President & CE), Carl Casale (EVP & CFO), Terrell Crews (EVP, CEO Vegetable Business), Scarlett Foster (VP IR) as well as various Analysts.
As Karsten Schubert puts it "A gulf has sprung between post-Duchampian, postmodern artistic practice and a still Modernist-Romantic interpretation of copyright."
Dies ist eine zu 100% der Realität entnommene Abschrift der Telefonkonferenz der Monsanto Company für das vierte Quartal 2009, die als originelles Theaterstück bearbeitet, gestaltet, veröffentlicht und aufgeführt wurde (anlässlich der Ausstellung und des Symposions „The apparatus of life and death“ im Museum für zeitgenössische Kunst in Skopje).
Die Hauptakte sind „Präsentation“, „Frage-und-Antwort-Sitzung“ und „Copyright Policy“, die Hauptdarsteller sind Hugh Grant (Präsident & CE), Carl Casale (EVP & CFO), Terrell Crews (EVP, CEO Vegetable Business), Scarlett Foster (VP IR) sowie verschiedene Analysten.
Karsten Schubert formuliert es so: „Es ist eine Kluft entstanden zwischen der postduchampianischen, postmodernen künstlerischen Praxis und einer immer noch modernistisch-romantischen Interpretation des Urheberrechts.“
Übersetzt mit DeepL
Text von der Webseite
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The ARTZINES Research project - A story by Antoine Lefebvre in collaboration with Hubert Kretschmer published by Objet Papier
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82 S., 21x14,8 cm, Auflage: Unikat, keine weiteren Angaben vorhanden
Laserausdrucke nach Email, Drahtheftung
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... I am writing you because I interviewed you for my research project ARTZINES, in which I explored the world of zines made by artists.
The project started in 2015, so the interview in question might have happened ages ago. If it was a video interview, it should be on Vimeo and here: https://www.youtube.com/@ARTZINESINFO
I have been collecting 88 testimonies from various people interested in zines for a very long time, and I wanted to gather all of them into a book about zines made by artists.
Then life happened, the good and the bad, until I met the Objet Papier collective, who published Print It, a web-to-print magazine generated from a website to be different each time.
For the past two years, I worked with them to create an interactive and generative ARTZINES book that is different each time it is downloaded (I counted 130.749.696 possibilities, but that’s a low estimate).
I wrote my research journey as a " Choose Your Own Adventure Book," and I am happy to tell you that you are a character in this story, since your interview is featured in the book! There are a maximum of 6 interviews in each generated PDF, so your interview won’t show in every book.
If you want to see what it looks like, you can generate PDFs of the book directly from the platform ...
Auszug aus der Email vom 05.11.2024
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Titel
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Two Years space nn - Making Of - ausstellungen 2023/24
Technische
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112 S., 29,7x22 cm, Auflage: 300, 2 Stück. ISBN/ISSN 987-3-68919-054-5
Gefaltete Bögen lose ineinandergelegt, mit lila Gummiband zusammengehalten, gelocht, mit Kette verbunden, Schlüsselanhänger aus gelbem Plexiglas und Booklet (Drahtheftung) mit Kette befestigt,
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Zwei Jahre, dreiundzwanzig Ausstellungen, einhundertsiebenundfünfzig Künstler*innen und sechzehn Kurator*innen. Nomen Nominadum - ein noch zu nennender Name. Eine offene Bezeichnung, ein Platzhalter, der sich nicht festlegt. Und genau das ist space n.n.: ein Raum, der sich nicht in eine feste Form pressen lässt, sondern mit jeder Ausstellung, jeder Veranstaltung, jeder Begegnung neu definiert. Vor zwei Jahren haben wir diesen Offspace in München Gegründet - als Experimentierfeld, als Ort des Austauschs, als Möglichkeit für junge Kunst, abseits etablierter Strukturen.
Text aus Publikation übernommen.
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